new creation 2019/2020
HIVE – our hydrological need of cosmic lines is an interdisciplinary project whose detonator is the famous “Tondo Doni” paint by Michelangelo. In this masterpiece, the representation of the Holy Family is caught in the tender and daily gesture of passing the Child though the arms of the parents.
HIVE represents an extension, a new vision of the concept and image of the Holy Family.
From the formal and aesthetic composition of the painting starts a path that through the contamination of multiple languages, such as dance and plastic art, sound and theater, will express a new sense of the picture. My generation and the previous need an urgent enlargement of the concept of the holy family, an extension that must cover all species.
CREDITS
Idea, coreografia e regia / Concept, choreography and direction
Pietro Marullo
Paesaggio sonoro / Soundscape
Jean Noel Boissé
Paesaggio Luminoso / Lightscape
Ryoya Fudetani
Sculture e costume / Sculptures and costumes
Pietro Marullo and Diana Ciufo
Costruzioni sceniche / Scenic constructions
Atelier Théâtre Varia de Bruxelles, Didier, Bertrand Nodet
Angeli, animali e metafore / Angels, animals and metaphors
Maria Barreto, Ines Carijo, François Delcambre, Paola Madrid Garcia, Vasco Pedro Merine, Aki Nishio,
In alternanza con / in alternance with
Marianna Cifarelli, Adrien Desbons, Elda Gallo
Con il corpo-mente complice di / With the complicity of
Marianna Cifarelli
Produzione / Production
Teresa Gentile
Prodotto da / Produced by
INSIEME IRREALI asbl
Coprodotto da / Coproduced by
Festival Oriente Occidente, «Vetrina delle idee», Théâtre Varia de Bruxelles, La Coop asbl, Federation Wallonie-Bruxelles, WpZimmer, IF Barcelona Festival, Tax Schelter
Con il sostegno di / With the support of
IntercettAzioni – Centro di Residenza Artistica della Lombardia (un progetto di Circuito CLAPS e Industria Scenica, Milano Musica, Teatro delle Moire, Zona K), Sala Hiroshima of Barcellona, Wallonie-Bruxelles International, Service Public Francophone Bruxellois
Accolto e supportato da / *Supported by
Scenario Pubblico / Compagnia Roberto Zappala di Catania, Arts Printing House di Vilnius, Derida Stage Center di Sofia, Sala Hiroshima di Barcellona e Moving Borders di Mexico City.
Pietro Marullo 